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irrational is in part inspired by woodcuts

The Table


the walls were of a stone thin and upright and mottled their surface raised in shallow quadrasent the colour of the young giraffe and yet more orange, the scented maid of groves, and dull sheen the sheen of high ceramic between each third stone a fine slit that gave access from the gallery thin between the walls the narrow cavity that is the hide of spies onto the inner square of the small space enclosed below which an oak table lives the waves of green and grey that from its solid form are radiate in shades of gravity and tones so low that only those with hands upon its umber surface yet may feel vibrate the stones of pathways deep within the self some said the viewer from the galleria there above might have spied on lovers or a private play or outward from the orange mountain outpost outward to the dawn rise sun across the mist shrouded glories of and early forest morning populous with the shrill of birds and monkeys flauting in the high canopy heard and largely yet unseen so returning the mind to the inner cells of thin spy walls danger returned as harbinger of fate danger had remembered as an enemy the secrets of the hiding place and as the group were seated round the table in the long gowns of distinguishment of the aged and the able so danger spied his small band the warriors of arms the mercenaries like hooded crows sleek bound with stealth and clever plumage that at casual looks is drab but yet is full of sycophantic shades for such is stealth itself at ease with its surrounding yet watchful as its many eyes are spider like its traces sensing waiting for its time desire its truth they raised their bow like weapons silently their tips a glistened into the room an inundation of the carbon arrows fly through and through the quasi flesh they pierce and pin their prey upon the grey and square oak table a corona of thin black lines are upward to the air as backward their rays are traced and with the hammering thud of say the nail into the flat coffin top but one has preambulation he ran and though an arrow pierce his knee yet he did not stop did not stop to think but leapt from the precipice to the thin unwelcome arms that i describe as air cloaked with cold the droplet dew and sailed the arc of falling and the crescent down toward the greeting arms of forests and the far below where silenced by the distant clamour far above abundant eyes were watching silent witness from the green tops like sentinels the servants of the forest tips are filled with wonder and astonishment he glided like a squirrel glides with skill but as he weakened so he faltered and came crashing in abundance of disarray and lack of grace came ploughing through the trees and lower shrubs deposit in a leafy lump all a fluster and a bump and to what surprise the dark haired framed the dark eyes rose in shock to see a tall young man flounder in a bush as she was crouching and in her forward hands as almost one suppose a pose of supplication a large thin saucer in her hands shrieve the red loam the soil of blood the way that those who search for gold would sluice and slide the waters of the tiny forest stream so she was held suspended in the cast that was the moment halt and haunting broke but halting time restarts and grace come forward not once a sign of fear in the languid steps and fluid lilt in the way that the invincibles will walk into the flame the brave to be extinguished and the skilled to live in song she walked he shrank in fear the way weakling and the coward despise the ways of woman but staring at the blood raised arrow that pierced the knee and roll she knelt and sang an equally piercing note which modulating she projects her cheeks and lips to concentrate the waves until it scourged the trunks of trees of every vestige of the colours red and orange is power vibrates in unison and grows as harmony will enhance the note and then as chords of subtle sound will locate the inner ear so the carbon of the arrow shaft did shatter to a thousand parts yet there pain did recoil and would recall a many year its passing and so he woke and in his rising stopped and stooped in humility for at the hallways end there was amid the darkness a hollow and in that vacuous black shape he sensed the image be the muse the muse of sorrow or of song he did not know but it was fear that made his body tremble yet on he trod gingerly for the night is old and many are the hazards of its darkness so it seems until our feet remember the paths of children past the paths we strode when we were young are here when we were the same invincibles we walked into the world of space and time to investigate its glories only to be standing in its final space its square and fellows there a mystery that stay unsolved and into the dark void he gently forwards his hand its palm flat and fingers raised as to the great above and as the hand its small journey made so an orange glow evokes the mysteries of the flesh vein an artery a glow bone its subtle marrow there within and neurons blue in song transmit the symbiosis of both dream and shades that roam unseen as wraiths to sluice and sieve the golden mornings and beginnings of what we know as understanding linked to tiny roots aneath our feet such fine threads as unbundled robes unbound hurtling out across and through the convex planet threads as senses wild undone are winding through the cosmos to a distant table in a fabled land The Table appears courtesy of Mike Burr

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